In phonetic spelling, Mnemosyne can be written as /nɪˈmɒzɪniː, nɪˈmɒsɪniː/. READ MORE: 10 Gods of Death and the Underworld From Around the World How Do You Pronounce Mnemosyne? Today we only have one source for this esoteric knowledge – special tablets that were created as part of funeral rites. This was seen as a special boon and only occurred rarely. However, he also points out that some historians say that Hermes was the god involved in doing this.Īs keeper of the “pool of memory” in the underworld Hades, often connected to or found instead of the river Lethe, Mnemosyne would allow some who crossed the ability to regather their memories of past lives before they were reincarnated. Praying to Mnemosyne would grant you memories of your past life or help you remember the ancient rites as the highest acolytes in a cult.Īccording to poet Pindar, when the Muses were unable to sing of the success of men’s work (because they did not succeed), Mnemosyne would be able to provide songs that “grant recompense for their labors, in the glory of music on the tongues of men.”ĭiodorus Siculus pointed out that Mnemosyne “gave a designation to every object about us by means of the names which we use to express whatever we would and to hold conversation one with another,” introducing the very concept of naming. Mnemosyne is the Greek goddess of memory and knowledge, as well as one of the keepers of the waters in Hades‘ realm. How Was Mnemosyne Depicted in Art and Literature?.Why Wasn’t It Popular to Worship the Greek Goddess Mnemosyne?.What is the Connection between Mnemosyne and Trophonios?.What is the Connection between Mnemosyne and Asclepius?.Why is It Significant That the Muses are Daughters of Mnemosyne?.What Kids Did Zeus Have with Mnemosyne?.What is the Story of Zeus and Mnemosyne?.Lexicon Iconographicum Mythologiae Classicae, VII, 1019 s.v. Vaughan, ‘Albacini and his English Patrons’, Journal of the History of Collections 3/2 (1991), 183-197, 188 Cook, The Townley Marbles (London, 1985), 22-3, fig. Smith, A Catalogue of Sculpture in the Department of Greek and Roman Antiquities, British Museum, Vol. A Guide to the Graeco-Roman Sculptures in the Department of Greek and Roman Antiquities, 2 vols. Ancient Marbles of the British Museum, III, pl. Synopsis of the Contents of the British Museum (1808), IV.5 Cook, `The Townley Marbles in Westminster and Bloomsbury’, The British Museum Yearbook, 2 (1977), 42-43, figs. Cook, `The Townley Marbles in Westminster and Bloomsbury’, The British Museum Yearbook, 2 (1977), 46, figs. On 4 October, Hamilton sent a Bill of Lading for Thalia, priced at £300 (TY 7/617). On 29 August, however, Hamilton acknowledged a letter from Townley dated 8 July, in which he announced his desire to purchase the ‘Pastoral Muse’ (TY7/615). On 27 July, Hamilton wrote that he would like Townley to have the Thalia (TY 7/613), but Townley seems to have declined it in a letter (no longer extant) of 9 July or 2 August, both of which Hamilton acknowledged on 21 August (TY 7/614). A month later, he wrote that he had restored the pedum in the right hand, adding ‘the head is one of those made to let into the statue, and the statue made to receive a head of that sort, the head fits it exactly of the same marble’, and the caveat ‘I don’t suppose you will be content with any statue where the subject is not decided by its attributes’ (TY 7/612). Hamilton first mentioned the Thalia in a list of concealed statues that were frankly described as ‘contraband’ (letter dated 12 June 1776, TY 7/611). 21v), but also recorded by Townley at £400 (TY 10/6-7), perhaps having in mind Hamilton’s original proposal on 12 July 1776 (TY 7/612) and his suggestion of £1000 jointly for this statue and the Venus (1805,0703.15), which eventually cost £600 (TY 7/616, 30 August 1776). This statue was found at Ostia 1775 near that of Libera, …. Townley's description ‘A Statue of Thaleia the pastoral muse, richly draped with the Tunic and an outward loose garment, of so fine a texture that the forms of the body and limbs tho covered, are very apparent the head is crowned with a wreath of Ivy, and in the right hand is the pedum or pastoral crook. Part of the surface of the drapery was reworked in the 18th century when the arm was restored. The head is ancient, but does not belong with the torso.
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